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John Coltrane & Stan Getz: Hackensack (Rifftide)

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Tenor giants John Coltrane and Stan Getz lead an incredible group through a tune claimed by both Thelonius Monk (Hackensack) and Coleman Hawkins (Rifftide). Oscar Peterson sits in on piano with the incomparable rhythm section of Paul Chambers (bass) and Jimmy Cobb (drums).

Channel: Music
Uploaded: October 1, 2006 at 9:37 am
Author: pixaninny

Length: 08:01
Rating: 4.86
Views: 217901

Tags: jazz  miles  monk  saxophone  

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Video Comments

petebax1 (July 23, 2008 at 2:50 pm)
Just found a new Stan Getz at Audiosparx and it is free just type Stan getz into audiosparx searchI think Advacados is just as good as this.
JoF00l (July 18, 2008 at 6:31 pm)
Man, I remember I was younger I used to think players like Desmond and Getz had a "wimpy" sound, I still prefer a sound like Cannonballs for the most part, and in my playing, but now I can really appreciate the other colors as legit. This piece is great because there's such difference in their sounds and playing styles when you hear both solos, but when they play together their sounds fit so well together like velchro, pb&j or whatever analogy you like =]
saxherrera (July 18, 2008 at 3:58 am)
That song remembers me some like "A Night In Tunisia" rsrs
RenoRaider (July 17, 2008 at 4:48 pm)
Getz sounds like Prez.
siuol446 (July 17, 2008 at 1:28 am)
All summit players! Getz and Coltrane blend really well during the " head, " and ensemble passage.......Swingin' !
olivierbarjot (July 14, 2008 at 6:53 am)
I can't complain about such a wonderful session.Great music.
someonespadre (July 12, 2008 at 5:11 pm)
piano just appeals to me.I really enjoy seeing him make it look easy.
jazzflutist (July 12, 2008 at 8:05 am)
You picked my faves to the tee. But, I also like Hank Mobley, Lucky Thompson. Getz looks horrified by Coltranes sheetsounds, but falls into the game to humor him. I wonder if Coltrane knows how to play "Polly Put The Kettle On". Acch. Too melodic and predictable.
caponsacchi (July 8, 2008 at 10:11 pm)
The Miles progressives would put down both Oscar and Getz, but without Oscar none of us would have known the degree to which time could swing. However "derivative" you want to call him, he's still uniquely in possession of the ultimate swing paradigm. Getz rides Oscar's oceanic currents (look at his bobbing head while he's soloing); Coltrane plays "through" the time, using it as markers for the harmonic typhoons he sets into motion. It's a thrilling sight, but Getz gets me to the destination.
icemomochacha (July 8, 2008 at 7:13 am)
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